Photo: Memória Imaterial
Editor's note
Nota editorial
MEMORIAMEDIA Review 3. 2018. MI/IELT ISSN 2183-3753 - Filomena Sousa (coord.)
Participatory Methodologies and Intangible Cultural Heritage / Metodologias Participativas e Património Cultural Imaterial
The main aim of the UNESCOˈs 2003 Convention is to maintain the “living heritage” - its continued practice and its relevance to the actors involved. The participation of the communities, groups and individuals is at the core of the heritagization process. To safeguard intangible culture is to ensure the viability and sustainability of this heritage.
O principal objetivo da Convenção 2003 da UNESCO é manter o “património vivo” - manter a sua prática continuada e a sua relevância junto dos atores envolvidos. No cerne do processo de patrimonialização está a participação das comunidades, dos grupos e dos indivíduos. Salvaguardar a cultura imaterial é assegurar a sua viabilidade e sustentabilidade.
The collaborative indigenous cinema of Video nas Aldeias and the Intangible Cultural Heritage
O cinema indígena colaborativo do Vídeo nas Aldeias e o Património Cultural Imaterial
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Rodrigo Lacerda
CRIA / FCSH NOVA / ISCTE-IUL
MEMORIAMEDIA Review 3. Art.1. 2018
photo: Still from Tava, A Casa de Pedra
The Republic of Korea ICHpedia wiki and the creation of a new web-based community of practice through online participatory methodologies
Jessica Rossi
Ca' Foscari University
MEMORIAMEDIA Review 3. Art.2. 2018
photo: ichpedia.org
Experimenting with participation in dialogue
Community involvement in identifying and researching Intangible Cultural Heritage in the Netherlands
Albert van der Zeijden
Dutch Centre for Intangible Cultural Heritage / research fellow Intangible Heritage Studies at Utrecht University
MEMORIAMEDIA Review 3. Art.3. 2018
photo: Dutch Centre for Intangible Cultural Heritage
Serious Games and heritage mediation: strategies for identifying, valuing and transmitting the Intangible Cultural Heritage
Jogos Sérios e mediação patrimonial: estratégias de identificação, valorização e transmissão do Património Cultural Imaterial
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João Camara
Faculty of Arts of the University of Porto
MEMORIAMEDIA Review 3. Art.4. 2018
photo: Yong’s China Quest Adventure, My Learning, 2018
Cultural Mapping: a Sustainable Methodology for Intangible Cultural Heritage
Mapeamento Cultural: uma Metodologia Sustentada para o Património Cultural Imaterial
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Sónia Moreira Cabeça
CIEO | Research Centre for Spatial and Organizational Dynamics – University of Algarve
MEMORIAMEDIA Review 3. Art.5. 2018
photo: Sónia Cabeça
Sustainable Safeguarding through Participation: Empowering Cultural Heritage and Institutional Crowdsourcing Engagement
Nina Jinks
Universidad Complutense de Madrid
MEMORIAMEDIA Review 3. Art.6. 2018
photo: unstraight.org
Who owns Intangible Cultural Heritage?
The role of bearers, experts and the State in the safeguarding of ICH in Slovenia
Adela Pukl and Anja Jerin
Slovene Ethnographic Museum
MEMORIAMEDIA Review 3. Art.7. 2018
photo: A. Pukl
Memory from the Avenues
A collaborative strategy towards local history and heritage
Filipe Silva, Inês Castaño, Inês Queiroz, Luisa Seixas and Maria Fernanda Rollo
Institute of Contemporary History (NOVA FCSH)
MEMORIAMEDIA Review 3. Art.8. 2018
photo: Memória das Avenidas project
The Participation in the Safeguarding of the Intangible Cultural Heritage
The role of Communities, Groups and Individuals
A Participação na Salvaguarda do Património Cultural Imaterial
O papel das Comunidades, Grupos e Indivíduos
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Filomena Sousa
Memória Imaterial
photo: Memoria Imaterial
Download PDF Critical Review (by invitation – Alexandra Araújo) EN
Download PDF Recensão Critica (por convite - Alexandra Araújo) PT